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This new collection by Billy O'Callaghan explores everyday existence in the aftermath of cataclysms both subtle and overt. The characters who populate these stories are people afflicted by life and circumstance, hauled from some idyll and confronted with such real world problems as divorce, miscarriage, cancer, desertion, bereavement, and the disintegration of love. The book suggests that the human heart boasts extraordinary resilience. We bear the guilt, sorrow and regret for the things we have lost or given up, we seek the light, and we endure. These thirteen stories attempt to illuminate the darkness.

• Sales Rank: #3033320 in Books
• Published on: 2014-02-18
• Original language: English
• Number of items: 1
• Dimensions: 7.70" h x .80" w x 5.00" l, .65 pounds
• Binding: Paperback
• 228 pages

About the Author
Billy O'Callaghan was born in Cork in 1974, and is the author of three short story collections: 'In Exile' and 'In Too Deep' (2008 and 2009 respectively, both published by Mercier Press), and 'The Things We Lose, The Things We Leave Behind' (2013, published by New Island Press), the title story of which was honoured with the Irish Book Award for Short Story of the Year.

Over the past decade, more than seventy of his stories have appeared in a wide variety of literary journals and magazines around the world, including: Absinthe: New European Writing, Alfred Hitchcock Mystery Magazine, the Bellevue Literary Review, Bliza (Poland), Confrontation, Crannóg, the Fiddlehead (Canada), Hayden's Ferry Review, the Kenyon Review, the Kyoto Journal (Japan), the Linnet's Wings, the London Magazine, the Los Angeles Review, Narrative, Pilvax (Hungary), the Southeast Review, Southword, Verbal Magazine (Northern Ireland), Versal (Holland), and Yuan Yang: a Journal of Hong Kong and International Writing. He has also written for the Irish Examiner, the Evening Echo and the Irish Times.

A recipient of the 2013 Bord Gais Energy Irish Book Award for Short Story of the Year, and a 2010 Arts Council of Ireland Bursary Award for Literature, his stories have won and been shortlisted for numerous other honours, including the George A. Birmingham Award, the Lunch Hour Stories Prize, the Molly Keane Creative Writing Award, the Sean O'Faolain Award, the RTE Radio 1 Francis MacManus Award, the Faulkner/Wisdom Award, the Glimmer Train Prize and the Writing Spirit Award. He was also short-listed four times for the RTE Radio 1 P.J. O'Connor Award for Drama.

Most helpful customer reviews

1 of 1 people found the following review helpful.
The Things We Lose, The Things We Leave Behind
By Brian Ó Faoláin
'The Things We Lose, The Things We Leave Behind' is a remarkable collection of short stories by one of Ireland's best authors. O'Callaghan has written thirteen compelling stories that combine poetic intensity and an often stark realism to explore the emotional, psychological and physical truths of his characters' lives.
In the book's extraordinary title story, which won the Writing.ie Short Story of the Year at the prestigious Bord Gais Energy Irish Book Awards in 2013, the narrator realises that, although he has not been home in six years, the only thing that has changed there is "the fresh coat of whitewash". O'Callaghan slowly reveals the hard truths that have caused the man to leave, bringing the story to a denouement that is all the more devastating for its calmness.
The first story, 'Zhuangzi Dreamed he was a Butterfly', is narrated by a father trying to come to terms with the loss of his daughter. In this beautiful, sad account of a tragedy that is all too common in our modern, hurried world, the fragility of life pushes against its seeming futility, and we "live our lives around the edges of a gaping hole, but we have to live."
Unlike many of today's writers, O'Callaghan is unafraid to write honestly about women. As the narrator of 'Are the Stars Out Tonight?' reveals of his ex, his child's mother, "She is young again until I look too close. Then her eyes give away the lie." His disillusionment, or his abandoning of illusions about life, are summed up when he says that everything changes, and rarely for the better. "Everything burns out in time." But in this story, a child - the narrator's daughter Nell - arrives home, and her "arrival is announced in song." She is the embodiment of life and hope and youth, making this story a counterpoint to the previous one.
The difficulty of relationships coming to an end is one of O'Callaghan's most urgent themes, in stories seeming sometimes almost too real to be labelled "fictions". In 'We're Not Made of Stone', a story never less than authentic, the comfortably numb life she shares with James is broken apart by personal tragedy, and Margaret's fantasies, beginning as a way to reject her reality, bring her to a place outside of the sad, humdrum life she shares with her husband. In 'Goodbye, My Coney Island Baby', on the other hand, there is no pretence between the lovers, in a deeply felt, honestly written account of a man and a woman "holding onto one another, lending and finding support, until the end is in sight."
I have mentioned just some of the thirteen stories in this exceptional collection, each one of which takes place in its own vividly imagined reality, whether in Ireland, America, Spain or Taiwan. Beautiful, disconcerting, profound, and unforgettable, 'The Things We Lose, The Things We Leave Behind' is a book that I recommend to all serious readers of literature.

1 of 1 people found the following review helpful.
A wonderful collection by the 2013 Winner of the Irish Short Story of the Year Award
By Mel u-The Reading Life
The more collections of short stories I post about, the more difficult I find the process. In most cases the stories in the collection were not originally written with the idea of placing it in a collection. Reviewers, I do not consider myself a reviewer, I just read things and then post on them, tend to write a sentence or two on a few of the stories, then indulge in lyrical metaphorical descriptions of the collection that on analysis often make little sense. I prefer, and I think it shows more respect for the author and potential collection reader, to post in some detail on a number of stories in the collection.
From that point, I feel open to talking about common themes in the stories.

For those who want the bottom line first, I completely endorse this collection to all lovers of exquisite prose and brilliantly plotted psychologically acute short stories. I see O'Callaghan rapidly developing as an artist and I hope to read many more stories by him.

At the end of my post I will include a link to his Q and A and to the two short stories he has very generously allow me to share with my readers.

"Zhuangzi Dreamed He Was A Butterfly"

"I wish for the closeness we'd once enjoyed, but life has a way of widening voids, or maybe it was enough to know that we'll love one another until we die".

One of the things O'Callaghan is very good is letting us see how time and events change relationships between men and women, how a living relationship is fluid, in some ways it will get worse, in others better. This is a story with a terrible tragedy at the core. It is about how the death of a totally loved six year old daughter, who had become the heart of their, impacts a marriage upon her death. It is told by the husband. The death created a breaking point, a before and after in their relationship. The man must bear his own pain at that of his wife. He must listen to others in unshattered worlds, world with before and afters. He sees how even his memory of Aiko changes, everything is in flux. He things about his marriage, maybe he mourns the unclouded love they once have. He knows he shares a bond with his wife he can share with no other. This is a story that every parent hopes will always just be a fiction for them. We are made to see how this terrible pain has deepened the wisdom of the husband, we are left in stasis on the wife, only hoping she can sleep through the night again one day.

"Farmed Out"

"He has never been anywhere, and can barely imagine a world beyond the little he knows, but these books are like fire to his mind".

Ireland, like a lot of places, is full of young people nobody wants. In a way, and I accept I am looking for this as I read, is part of the notion that the grand theme of modern Irish literature is that of the weak or missing father, some would add to this the notion of monstrous fathers. I will leave it open for now if monsters are not masking terrible weakness brought on by their own sense of powerlessness. The story centers on a teenage boy released from a Christian Brothers School, rightly or wrongly places with bad reputations for abuse, into the care of a farmer. There is a formal arrangement where the boy has to work for the farmer in exchange for room and board. The farmer tells him do your work and their will be no trouble. The veiled threat is there to send him back. The work is very hard, the days are very long but the boy sees it as better than the school. He lost his mother, we have no idea where his father might be, at an early age. He has a sister who sends him novels about the old days in the American west. These stories captivate him. Much of the power and beauty of this story is it the descriptions of life on the farm. The ending is as harsh as the Irish countryside can be and as cruel. This is a story of a seemingly pointless life, a boy treated with cruelty by people who know no better for themselves.

"Are the Stars Out Tonight"

"At nineteen your horizons have not yet burned"

"Are the Stars Out Tonight" is about the last days of a marriage of two decades or so. The wife very calmly tells the husband the time has come for him to move out, it is what they both want. There is no surface anger or angst, the wife has been having an affair with a mutual friend. Nobody hates anybody, all very civilized, maybe repressed. They have a daughter in college. O'Callaghan is very good at taking his characters through changes in relationships. There is still a passion between between them. The daughter adds much to the story. One of, as I see it, the theme of the authors is how people come to cope with the loss of the the first hopes of life, of relationships.

"We're Not Made of Stone"

Many people decades into their marriage may find this story more than a little painful. The description of James retreat into reading was a bit close for me! They both have OK regular jobs, they get along fine, they have sex once and a while. They long wanted a baby but they accepted it was not to happen. Then one day she tells her husband she, at forty five or so, is at last pregnant. The story is how the adjust to this potentially massive disruption in their lives. Each is watching the other very closely to discover how their partner really feels. I don't want to tell more of the plot. One of the frequent leitmotifs in Irish literature seen in our author's work, is the impact of the long term repression of emotions on relationships. Neither party understand how to fully express or even understand their feelings for the other. This is a very acutely observed story. I felt a deep empathy for the husband, he wants an heir but he loves his routine. N

"Goodbye My Coney Island Baby"

So far four of the first six stories have been about marriages with flaws, marriages that endure long after the first reasons for it are over. "Goodbye My Coney Island Baby, set in New York City is about Peter and Susan. They have both been married for a long time but not to each other. They work in the same office building and have been having an affair for seventeen years, meeting for sex in out of the way motels. Neither really wants to leave their spouse. The descriptions of the sexual aspect of their relationship was very well done, Susan still acted like a girl friend, even after seventeen years. Now I am for sure not saying a wife is not preferable to a long time girl friend but a lot of this stories readers will quietly feel the difference. Of course they feel guilty. Peter has just told her that his wife has been diagnosed with very aggressive cancer. You can feel Susan's fear in this but we are not quite sure what it is she is fearing. In a way, there relationship has not really developed or matured much past the opening stages.

"Matador"

OK, here is a question for all readers of this story- did you think of Hemingway as you read this story of a matador forced from the bull ring by an injury, and by a bull a clear rank below his level? It was good to see a story in the collection set outside of Ireland. Stories about bull fighting in Spain are stories about proving your manhood. This is a very intriguing strory about what suffering a career ending injury does to the psyche of a bull fighter. I liked it very much.

"Keep Well to Seaward"

"And in those few seconds I saw her as the old woman she'll be one day.

"Keep Well to Seaward" is one of the longer stories in the collection. It centers on a twenty seven year old Irishman living in Taipai. He makes his living from his writings, most short stories and he is hundred or so pages into his first novel. He is there alone. Of course Taipai seems very exotic to him. He reads in Lonely Planet Guide to Taiwan of a modestly price restaurant near his place that is supposed to have nontourist Chinese food at low prices. You have to ponder how he sees his time in Taipai. Is he Orientaluzing his experience in the "exotic east" or does he just need some serious time away from Dublin to write. He begins to go regularly to the restaurant and slowly gets to know an attractive but much harder get to know woman his age who waitresses there. Slowly a romance and a sexual relationship develops between them. Politically main land China, who claims Taiwan, saber rattles while he is there but nothing happens. He is used to political instability back home. Slowly they seem to fall in love. You have to decide for yourself why they love each other. There is a twist to the plot I totally did not seeing coming, and neither did our Irishman. The way O'Callaghan ends this story is just great, he deals wonderfully with the impact of time passing on his characters. I liked the young writer, I felt somehow a reserve of loneliness, a holding back of emotions.

There are six other stories in the collection, each a great pleasure to read.

0 of 0 people found the following review helpful.
I would like to invent a new way to describe what I ...
By Mary Parkhurst
What to say about a book that stunned me, time and again. I might call Billy O'Callaghan a "writer's writer," if that term did not immediately consign a writer to obscurity. (In the USA, Richard Yates is often referred to as a "writer's writer," and until the movie REVOLUTIONARY ROAD, few people, apart from those who taught in MFA programs, knew his name.

I would like to invent a new way to describe what I think Billy O'Callaghan will leave as his literary legacy. I would call him a "human's human" (with a pen) or an "explorer's explorer" of our dreams. I would call him a poet of the spirit. Or, maybe, to use a more prosaic analogy, he is a housekeeper who assiduously dusts the cluttered rooms we keep closed, even from our conscious minds.

In the moving first story of the collection, "Zhuangzi Dreamed He Was A Butterfly," a husband and wife grieve a daughter's death, and the husband explores the idea of time. "When you think about it, there is just so much that can go wrong. If any one of those tiny workings should crack or spit apart, then that's it; as fast as a finger-snap the whole thing comes grinding to a halt. One small break and all time stops." Anyone who has lost a child knows that the speeding up or slowing down of time, the infinite replaying of the disaster-that-might-have-been-averted, forms only one side of the prism through which a grieving parent views the past.

In "Lila" the narrator, riding the L, spots a familiar face. "In the two decades since moving to Chicago I have thought of her often, the way we all do with close friends who for a time mean more than the world itself to us but then, for whatever reason, fall out of our lives." True, right? We've all thought this at one time or another.

As the story progresses, we learn why their paths diverged; the narrator must come to terms with what happened before they lost touch. When the story returns to the present, the reader is fully anchored in the physical world. "Seconds build, full of the train's dull inner-ear heartbeat, a smooth enough sensation, but only by comparison, and yet it felt as though time were moving in reverse, taking us out of ourselves back to some better state."

I wish I had written that sentence. Here's another.

"He was wearing yesterday's wool shirt, and the fibres held his musk in a way that was not pleasant. She felt an urge to pull back, but couldn't, because his big hands held gentle but secure against her hips. Trapped, all she could do, short of insulting or embarrassing him by making a fuss, was pray that God would grant her the small mercy of not having this stench forever attach itself in her mind to what was supposed to be one of the most special and precious of moments of her entire life."

As writers we strive to use all five senses, but I've rarely seen a writer evoke so much emotion from a sense of smell.

Each story in this collection invites readers into the inner torments of its characters. I could not race through these stories, nor did I want to. When I finished each one, I went back to the beginning and read the story again, only to discover moments of lightness, moments when a character turned away from a choice that might have led down a different path, or moments when a character settled for what was and gave up on what might have been.

Some people talk about our "illusions," as if there were some all-seeing Eye that could pass judgment on what is, or is not, the right way of understanding life's confusions. Instead of illusions, Billy O'Callaghan talks about "dreams." For the characters in "Goodbye, My Coney Island Baby," "The Matador," and many of these stories, dreams are where people find relief from the weight of their losses, disappointments, self-inflicted wounds, and limitations.

This is writing at its finest.

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[U837.Ebook] Get Free Ebook Apollo 13, by James Lovell, Jeffrey Kluger

Get Free Ebook Apollo 13, by James Lovell, Jeffrey Kluger

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Apollo 13, by James Lovell, Jeffrey Kluger

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In April 1970, during the glory days of the Apollo space program, NASA sent Navy Captain Jim Lovell and two other astronauts on America's fifth mission to the moon. Only fifty-five hours into the flight of Apollo 13, disaster struck: a mysterious explosion rocked the ship, and soon its oxygen and power began draining away. Written with all the color and drama of the best fiction, APOLLO 13 (previously published as Lost Moon) tells the full story of the moon shot that almost ended in catastrophe. Minutes after the explosion, the three astronauts are forced to abandon the main ship for the lunar module, a tiny craft designed to keep two men alive for just two days. As the hours tick away, the narrative shifts from the crippled spacecraft to Mission Control, from engineers searching desperately for a way to fix the ship to Lovell's wife and children praying for his safe return. The entire nation watches as one crisis after another is met and overcome. By the time the ship splashes down in the Pacific, we understand why the heroic effort to rescue Lovell and his crew is considered by many to be NASA's finest hour.
Now, thirty years after the launch of the mission, Jim Lovell and coauthor Jeffrey Kluger add a new preface and never-before-seen photographs to Apollo 13. In their preface, they offer an incisive look at America's waxing and waning love affair with space exploration during the past three decades, culminating only recently when the Apollo 13 spacecraft itself, long consigned to an aviation museum outside Paris, was at last returned to its rightful home in the United States. As inspiring today as it was thirty years ago, the story of Apollo 13 is a timeless tribute to the enduring American spirit and sparkling individual heroism.

• Sales Rank: #114487 in Books
• Brand: Lovell, Jim/ Kluger, Jeffrey
• Published on: 2006-02-20
• Released on: 2006-02-20
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .98" w x 5.50" l, .95 pounds
• Binding: Paperback
• 432 pages

Amazon.com Review
On April 13, 1970, three American astronauts were on their way to the moon when a mysterious explosion rocked their ship, forcing them to abandon the main ship and spend four days in the tiny lunar module which was intended to support two men for two days. A harrowing story of danger, courage and brilliant off-the-cuff engineering solutions which resulted in a dramatic rescue.

Review
"A thrilling story of a thrilling episode in the history of space exploration." -- James A. Michener

From the Publisher
On April 13, 1970, astronauts Jim Lovell, Fred Haise, and Jack Swigert were hurtling along in the Apollo 13 spacecraft, on America's fifth mission to the moon, when a mysterious explosion rocked the ship. The cockpit grew dim, the air grew thin, and the instrument lights winked out. Moments later, the astronauts were forced to abandon the main for the tiny lunar module, designed to keep two men alive for just two days. But there were now three men aboard, and they were four days from home. As the action shifts from the disabled ship to the frantic engineers at Mission Control to Lovell's anxious family, Apollo 13 brilliantly recreates the harrowing, heroic rescue mission in all its drama and glory.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Indispensable --the mission commander's own account
By John
A History Channel interviewer asked Jim Lovell if the movie represented what really happened. Lovell politely answered in the affirmative, but this story of his is quite different. It also includes a protracted, horrible account of The Fire that was later named "Apollo 1" in deference to the deceased, his other lunar mission (Apollo 8), and more, with details not mentioned even in Andrew Chaikin's excellent tome A Man on the Moon. I found the book well-balanced in terms of how much technical detail to include. It is a good read.

While consulting for NASA I found an obscure little book written by an engineer that told more details of the mishap than the movie did (of course), but even his explanation of oxygen tank #2's explosion was not as complete as the one in the epilogue of this book. This is the most satisfactory and complete explanation I've seen. It made me realize that it was only a fluke that the explosion occurred when it did (there had already been two previous cryo-stirs in the flight); Lovell and Haise could have easily been stranded on the moon with Sweigart orbiting for eternity in his ghost ship. Lovell openly recounts his chance to have the O2 tank swapped out for a new one.

If I were to pick nits, I would pick only two: (1) although Jeff Kluger is a competent writer with the gift for finding the right word, he sometimes drops in an incongruous big word (like "brobdingnagian" --sheesh), and (2) instead of a photo of the Apollo 13 crew, the cover bears the countenance of the miscast actor who played Lovell in the movie. He's a good actor, but Jim Lovell he ain't; I suspect that's why Lovell said in the interview that it is hard to watch oneself being portrayed by an actor.

0 of 0 people found the following review helpful.
I like this book!
By a viewer
I read this book some years back under the original title of "Lost Moon". I'm a nerd at heart, but I liked the book so much I just bought it for my husband. I'm reading it again--when he's not.

It's the book that the movie "Apollo 13" was based on, co-authored by astronaut Jim Lovell. Maybe the topic is not for everyone, but I found it very interesting and entertaining. It's not the average beach reading!
For those old enough to remember, we probably raced too fast to get to the moon in the 60's, but fortunately it worked. Tragically, a few lives were lost, but it's almost a miracle that we made it to the moon in 1969 without much greater losses. This was a time when astronauts could and did read scripture from space and no one objected, and the world prayed for the safe return of the Apollo 13 crew. Such a fantastic time in our history.

If you enjoy things like visiting Kennedy Space Center even a little bit, you'll probably like this book. It goes much further than the movie, of course. It's hard for me to put down.

I also like Michael Collins' book about the early space program. These stories are so much more interesting than most fiction.

0 of 0 people found the following review helpful.
Fantastic Book, Incredible Odds overcame
By Administrator
Bought this as a second copy so I don't ruin my signed hard cover. This is a great book and gives a bunch of extra detail that the movie lacks. With that said, this does not read like a novel, just a forewarning.

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• Published on: 1700
• Binding: Paperback

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... meet my expectations and in fact was a total waste of money
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Five Stars
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For school

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The series is devoted to the publication of monographs and high-level textbooks in mathematics, mathematical methods and their applications. Apart from covering important areas of current interest, a major aim is to make topics of an interdisciplinary nature accessible to the non-specialist.

The works in this series are addressed to advanced students and researchers in mathematics and theoretical physics. In addition, it can serve as a guide for lectures and seminars on a graduate level.

The series de Gruyter Studies in Mathematics was founded ca. 30 years ago by the late Professor Heinz Bauer and Professor Peter Gabriel with the aim to establish a series of monographs and textbooks of high standard, written by scholars with an international reputation presenting current fields of research in pure and applied mathematics.
While the editorial board of the Studies has changed with the years, the aspirations of the Studies are unchanged. In times of rapid growth of mathematical knowledge carefully written monographs and textbooks written by experts are needed more than ever, not least to pave the way for the next generation of mathematicians. In this sense the editorial board and the publisher of the Studies are devoted to continue the Studies as a service to the mathematical community.

Please submit any book proposals to Niels Jacob.

• Published on: 1989-01-01
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 466 pages

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A classic collection of 20 short stories, the core of which is formed by Alan Paton’s famous first volume of short stories Debbie Go Home (1961), published in the US as Tales from a Troubled Land. The rest of the stories are taken from other sources,10 of them from Paton’s last volume, Knocking on the Door (1975). The collection is prefaced by Paton’s lively interview of himself. Paton himself provides the best description of the collection when he says: ‘… you must put your story first, not your politics or religion or your anger … they inform the story and give it colour and warmth and fire. But they must never usurp the place of the prime motive, which is to tell a story.’ ‘The Hero of Currie Road’, the last story in the collection, was read publicly by Paton in 1970 in Johannesburg and first published in 1972.

• Sales Rank: #3319316 in Books
• Published on: 2009-03-01
• Original language: English
• Number of items: 1
• Dimensions: .80" h x 5.70" w x 8.60" l,
• Binding: Paperback
• 176 pages

About the Author
With the publication in 1948 of his first novel, Cry the Beloved Country, Alan Paton won international acclaim and – with sales of over ten million copies of the book in paperback – could live thereafter by his pen. He wrote four other books and, from his home in Kloof, frequently contributed to the non-racial review Contact and chaired the board of Reality, the monthly journal of liberal opinion. He was leader of the country’s Liberal Party from 1953. He served as principal for 13 years (1935–48) of Diepkloof Reformatory for delinquent African boys, which provides the setting for some of his most memorable of stories.

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1 of 1 people found the following review helpful.
"I had never been militantly white, but now I became militantly non-racial. I saw a vision, there is no other word for it."
By Mary Whipple
In "A Deep Experience," a memorable short story from this new (complete) collection of South African writer Alan Paton's short fiction, Paton introduces Edith Rheinallt Jones, an elderly white woman from Johannesburg who worked tirelessly on behalf of the Wayfarers, a Girl Guide organization for non-white children, the Helping Hand Club (a hostel for African girls in Johannesburg), and many other activities, inspiring fierce love and unwavering loyalty among the African people with whom she worked. Driving her to a rural village, Paton found his life changed irrevocably by the warm and honest interactions he observed between Edith and the local people. "I was seeing a vision," he says, "which was never to leave me, illuminating the darkness of the days through which we live now."

Published by Random House of South Africa, The Hero of Currie Road presents two kinds of stories. About half of them are about individual boys under Paton's care at the Reformatory for African boys, where Paton was Principal from 1935 - 1948--sensitive and insightful tales about young teenagers at crossroads, often inspired to lead honorable lives but without the ability, always, to make the right choices. The second group of stories is about the white world, mostly adults, who reflect the ingrained belief in apartheid which has permanently limited the attitudes, aspirations, and achievements of the native majority population. Together these stories show Alan Paton in his most personal, most revealing moments, in which he frankly states opinions that he cannot make in his novels.

Many of these stories show the effects of exclusion on children, and Paton often reveals the paternal feelings he has for the reformatory's youngest boys, in particular, bemoaning the fact that these ten- or eleven-year-olds don't belong in a reformatory with boys who are in their late teens. In "Ha'penny,"a powerfully moving story, an orphan makes up stories about his "family," in order to be like other children. In "The Divided House," young Jacky, always in trouble, suddenly experiences a religious conversion, spending long hours in prayer and reflection, his determination to become a priest interrupted only by sessions of dagga, a wild cannabis. "Death of a Totsi" tells of an inmate's terrible fears of a gang to which he no longer belongs.

The exclusion theme, pervasive throughout South Africa at the time, continues into the "white" stories. In "Debbie Go Home," he shows a family in which a mother wants her black daughter to attend the black debutante ball. Her husband and son object, believing they should not "lick the hand that whips us." In "The Magistrate's Daughter," a young white boy, the son of a blacksmith, befriends the son of a magistrate, playing tennis with him all summer, until it comes time for a summer dance, a turning point. In "Life for a Life," the harshest of the stories, an innocent man falls victim to white vengeance which is rampant. "Injustice" takes on new meanings. As Paton shares his personal meditations, he shows himself to be deeply sensitive to the critical issues of his day, and his ability to reveal characters and their essential humanity from all walks of life makes this collection--and his powerful legacy--come alive. n Mary Whipple

Cry, the Beloved Country
Too Late The Phalarope
Ah but Your Land Is Beautiful

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Pattern blocks can remain a powerful teaching tool for middle school students. Using pattern blocks and the activities presented in this book, students tackle: * fractions and equivalence, * line and rotational symmetry, * classifying polygons, * area and perimeter, * patterning, * probability, * angle measurement, * algebraic equations, * and more! This comprehensive resource has 60 activities including blackline masters, teaching instructions, connection to math standards, and additional explorations. The activities are organized into sections that address the key math strands as recommended by NCTM.

• Sales Rank: #787905 in Books
• Brand: Didax Educational Resources
• Model: DD-211046
• Published on: 2010-03-01
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .40" w x 8.40" l, .80 pounds
• Binding: Paperback
• 136 pages

Features

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3 of 3 people found the following review helpful.
Beware: Geared to Grades 5-8, NOT Grades 3-6
By ETD in Atlanta
This is a good book for using pattern blocks to hone a better understanding of fractions, geometry, etc.
However, although Amazon.com's title indicates that the book is geared to children in Grades 3-6,
and the picture of the book cover also states Grades 3-6, the actual book cover lists Grades 5-8.
The blurb written by the publishers is correct, it is geared more toward middle school than to
elementary school.
My students are in grades 4 to 5, so I can at least use parts of this book for the fifth graders
and perhaps for more advanced 4th graders.

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• Sales Rank: #442600 in Books
• Published on: 2015-09-21
• Original language: English
• Number of items: 1
• Dimensions: 11.75" h x 1.38" w x 10.25" l, .0 pounds
• Binding: Hardcover
• 320 pages

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"A fine showcase for outstanding work in this field... Environmental consciousness often extends to landscape design, and this collection will stimulate those readers as well as landscape professionals and students." —Library Journal

About the Author

Meaghan Kombol was born in Seattle, Washington, and worked for the maverick design company M&Co in New York before moving to London in 2002 where she worked at London's Design Museum before graduating from Greenwich University with a Masters in Landscape Architecture. Since then she has worked with some of the most exciting names in the field, including Martha Schwartz and Kathryn Gustafson — where she worked on the celebrated design for the 'Towards Paradise' garden at the 2008 Venice Architecture Biennale. In addition to editing numerous books for Phaidon Press, she has written for The Phaidon Atlas of 21st Century World Architecture and Phaidon's Design Classics.

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0 of 0 people found the following review helpful.
Five Stars
By Donna Goodman
Excellent collection of projects

0 of 1 people found the following review helpful.
Five Stars
By Filomena Daleandro
Excellent book!!

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TWIN SONS OF DIFFERENT MOTHERS SONG BOOK INCLUDES; TWINS THEME, INTIMIDATION, LAZY SUSAN, GUITAR ETUDE NO. 3, TELL ME TO MY FACE, HURTWOOD ALLEY, LAHAINA LUNA, PARIS NOCTURNE, SINCE YOU'VE ASKED & THE POWER OF GOLD

• Sales Rank: #3413381 in Books
• Published on: 1978
• Binding: Paperback
• 51 pages

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0 of 0 people found the following review helpful.
Excellent out-of-print songbook "Twin Sons of Different Mothers" by Dan Fogelberg and Tim Weisberg! A+!!!!!
By Yes Fan
What a rare find, and includes "Tell Me To My Face" (by Stephen Stills) and "Since You've Asked" (by Judy Collins). Other songs include "Lahaina Luna," "Guitar Etude No. 3," "Twins' Theme," "Lazy Susan," "Hurtwood Alley," "The Power of Gold," "InTimidation," and "Paris Nocturne." Out-of-print and glad I found this to replace my tattered and torn older songbook (although still has many miles on it to go before I break in this copy in excellent condition). A+!!!!!

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Let your cares slowly melt away as you color the captivating images found within the pages of this adult coloring book! The best part is that the full size 8.5” x 11” white paper pages are big enough to let your creativity and imagination flow freely.

• Includes 24 beautiful photos
• Printed on one side only
• Full size (8.5"x 11"), pure white 60lb. paper
• View our YouTube video showing all pages at: youtu.be/3AV_d2ToTOc (copy and paste the link into your web browser)

• Sales Rank: #391671 in Books
• Published on: 2015-09-13
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .12" w x 8.50" l, .31 pounds
• Binding: Paperback
• 50 pages

About the Author
Majestic Coloring publishes adult coloring books with a variety of difficulty and styles for everyone to enjoy. We include designs with quality, hand-curated and/or manipulated licensed images, as well as original designs from artists around the globe. ~ Get a Free Coloring Book! ~ This 'n That includes 12 fun designs for your coloring enjoyment. All bundled up in one convenient PDF file to download and print at your leisure. Visit our site and download your copy. MajesticColoring.com

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1 of 1 people found the following review helpful.
Boo! Terrible coloring book
By osutim
Pictures on the pages are terrible. Some are pixelated and it is clear they are nothing more than clip art pictures that have been expanded to full page size.

1 of 1 people found the following review helpful.
Coloring my Halloween!
By Deneale's Book Buzz
Love it! Halloween is one of my favorite Holidays! Christmas is another, but too costly! LOL

I love coloring!

1 of 1 people found the following review helpful.
cute
By Yak26
Cute pictures, most not extremely detailed. Thin paper so put something behind page if using sharpies.

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Using fresh data from the British National Corpus, this book criticizes and expands Biber's seminal study (1988) of variation in spoken and written English. The author assesses the validity, stability and meaningfulness of Biber's results, critically re-evaluating the statistical methodology. In the process, many issues of importance in corpus-based research are touched upon, including: research design, corpus construction, representativeness, search algorithms, operationalization of linguistics concepts, and interpretation of statistical results.

• Sales Rank: #16585172 in Books
• Published on: 1950-12-31
• Original language: English
• Number of items: 1
• Dimensions: 9.70" h x .5" w x 6.80" l, .0 pounds
• Binding: Hardcover
• 336 pages

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