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"Why would you want to deny that you possibly could be a Spirit intransient, that you possibly could be more than your body, that you possibly could be more than what you have worked for all your life? And why would you want to deny that? Why would you not want to even consider it? Well, to deny that God lives within you is to deny that which is termed your ability for unlimited knowingness, your ability for unlimited love, your ability for unlimited power, your ability to manifest what was called in elder times the kingdom of heaven." - Ramtha

• Sales Rank: #979880 in eBooks
• Published on: 2011-06-01
• Released on: 2011-06-01
• Format: Kindle eBook

Review
Ramtha explains simply the concept, "You are Gods," in terms of the Observer of quantum physics. A truly revolutionary understanding. -- Jaime Leal

This book describes Ramtha's basic concept of consciousness and energy as the fabric of reality and the Observer effect. --The Editor, JZK Publishing

About the Author
Ramtha the Enlightened One is an ascended Master Teacher who learned in his lifetime the unlimited potential of our minds for creating and shaping reality. Ramtha s message, The power is in you! Change your mind and change your world; you are here to make known the unknown, is empowering and calls us to dynamic change. Ramtha continues to deliver his message through his school, Ramtha s School of Enlightenment. JZ Knight is the unique channel of Ramtha and author of the best-selling autobiography, A State of Mind, My Story. Historians and experts who have studied JZ Knight life s work have recognized her as the Great American Channel.

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7 of 8 people found the following review helpful.
Ramtha
By Robin Landry
What can you say about Ramtha? Every time I read something of his, I find myself thinking in a new way, as if someone just turned up the lights. I see new colors, shapes are defined, I seem to think more clearly. Afterwards, I look back on how I thought before as a college student might at how he thought in grade school. It doesn't matter which book of Ramtha's I read, it's always the same. I actually think differently. I guess that's what the truth does for you.

Robin Landry
author
When I Dream

0 of 0 people found the following review helpful.
Enjoyed
By S. jones
Easy read... But not in the realm of thought as "Conversations with God"... One of the most amazing books that I have ever read.
The thoughts in this book seemed to be written as if they are just recorded from someone speaking informally one on one... Maybe that was the intent... I enjoyed it but was expecting more

0 of 0 people found the following review helpful.
dont waste your money
By passages
rehash of materials from other Ramtha books. poorly edited .
waste of time money and paper. im disappointed jz knight allows these pamphlets to be published

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[M115.Ebook] Download Ebook The Official Vintage Guitar Magazine Price Guide 2016, by Alan Greenwood, Gil Hembree

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(Book). The Official Vintage Guitar Price Guide is the world's leading reference on the values of vintage and collectible instruments. Compiled using critical research and analysis, it appraises electric and acoustic guitars, amps, basses, effects, mandolins, steels and lap steels, ukuleles, and even banjos! With information on more than 2,000 brands along with 1,300 photos and more than 192,000 copies sold, The Guide remains the industry's hands-down leading source of pricing information.

• Sales Rank: #75465 in Books
• Published on: 2015-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.75" h x .93" w x 8.00" l, 3.46 pounds
• Binding: Paperback
• 624 pages

About the Author
ALAN GREENWOOD (Bismarck, North Dakota) and his wife Cleo are the publishers of Vintage Guitar magazine, which they launched in 1986. Vintage Guitar is the largest monthly publication for guitar collectors, enthusiasts, and dealers. GIL HEMBREE (Austin, Texas) was contracted by Vintage Guitar in 2000 as a market analyst for the Vintage Guitar Price Guide

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1 of 1 people found the following review helpful.
A must have for the collector
By Andycapt
I buy this guide every other year and have done so for probably the past 15 years . The guitar market generally doesn't move drastically enough from year to year to justify purchasing it annually. I use it to valuate my collection for insurance purposes. This guide is great for that. But, as unfortunate as it is, if you want to know what your instrument is worth in the real world, check to see what it sells for on "evilBay"......not what people are asking, but what it sold for. While The Vintage Guitar Price Guide is pretty comprehensive and has solid model information for the heavy hitters (Gibson, Fender, Gretsch etc.) it has a lot of room for improvement. There is a good bit of information missing for some very popular manufacturers, such as Takamine for example. All this being said, the VG Price Guide is a must have. Just remember, this is just a guide. Your instrument is only worth what someone is willing to pay you for it.

2 of 2 people found the following review helpful.
I have purchased a Vintage Guitar Guided every year for ...
By W. Stapleton
I have purchased a Vintage Guitar Guided every year for the past 15 years. If you actually want to have a realistic idea of what vintage guitar sell for this is an essential tool. Anybody can claim they are an expert on EBAY and ask absurd prices. This is a professional guide complied by professionals and used world wide.

4 of 4 people found the following review helpful.
An Essential Resource
By Bill D.
I wish all my areas of interest had a guide this well-written, well-researched, and expertly presented.

I've purchased these regularly over the last twenty years. They're not cheap, but have saved me money I would have spent on gear I'd assume was more valuable, and kept me from selling stuff I might otherwise have let go--stuff that's appreciated considerably. People in the industry call this "The Book." There seems to be info on every guitar, bass, and amp made since the beginning of time, and good estimates of value. If you have more than a few instruments in your collection, or if you're in the market looking to stock-up, you absolutely need this guide.

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[B958.Ebook] Ebook Classical Music: The Era of Haydn, Mozart, and Beethoven (The Norton Introduction to Music History), by Philip G. Downs

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In this, the fourth volume in the Norton Introduction to Music History series, Philip Downs traces the rise and decline of the "Classical" style from the birth of Haydn (1732) to the death of Beethoven (1827).

He demonstrates the enormous diversity and constant change that characterized every aspect of music during this period.  By dividing his text into twenty-year spans, Downs is able to trace the development of musical style.  Within each span he looks at the social conditions and daily life of the musician, and the aesthetics and audience preferences in structures, performing combinations and styles.  The lesser composers, or Kleinmeister, are observed, since they are the most accurate mirrors of their times.  Haydn, Mozart and Beethoven receive full biographical scrutiny at each stage of their development.  Copious music examples and abundant illustrations are also provided.

• Sales Rank: #776840 in Books
• Published on: 1992-10-17
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 1.70" w x 6.50" l, 2.54 pounds
• Binding: Hardcover
• 720 pages

From the Back Cover
The latest volume in the Norton Introduction to Music History series focuses on the rise and decline of the Classical style, which flourished from the middle of the eighteenth century to the second decade of the nineteenth. The author demonstrates the enormous diversity and constant change that characterized music and musical life during this period. Downs eschews the usual stylistic labels, such as Rococo and High Classic, and instead organizes the text into short time spans. Within each, he looks to the social conditions and daily life of the musician, the aesthetics and audience preference in structures, performing combinations, and performing styles. The minor composers, or kleinmeister, are carefully observed, since they most accurately mirror their times. On the other hand, the giants, who left their mark on music for all time, receive full biographical scrutiny at each stage of their development. The book begins with the transition from the Baroque up to 1760 and the burgeoning new style that developed in the next two decades. The author then focuses on the early years of Haydn and Mozart before giving full treatment to the last twenty years of the eighteenth century, which saw the Classical style reach its apogee. Downs returns to the mature Haydn and deals with the last decade of Mozart's life, and finally considers Beethoven's musical origins and accomplishments. He concludes by documenting the eighteenth-century heritage at work in the early nineteenth century. Copiously illustrated, with abundant music examples, this fascinating survey provides invaluable insights into the period that produced some of the most astonishing music ever written.

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8 of 9 people found the following review helpful.
Just a little drier than the other Norton books
By Tobin Sparfeld
Downs' book comes from the Norton Introduction to Music History Series. I've read the others (excluding Hill's book on Baroque Music not yet released), and while it's good, it's unfortunately the weakest of the lot.

The book is geared for graduate study in music, and is a little too heady for beginners (by the way, the book's title refers only to Western music in the Classic Period, c.1760-1830).

Downs takes a chronological approach to the subject, but begins with a boring introduction on Eighteenth-century philosophy and musical aesthetics. This really is a shame, because the rest of the book (if you make it through) happens to be much better.

Downs covers the early emergence of Classic music out of the Baroque, and then follows with two short chapters on the first halves of Haydn and Mozart, respectively. After another interlude on music and other aspects during the Classic Period, Downs resumes with Haydn, Mozart, adds some Beethoven, and then leads the transition into the nineteenth century.

Despite the boring beginning, Downs' writing style is still very rigorous and scholarly. He makes many references to the book's sister, the Norton Anthology of Classical Music, and provides the most in-depth analyses of the entire Norton Series.

I feel bad giving the book three stars, but the other books by Atlas, Plantinga, Morgan and Hoppin are all better. Reinhard Pauly's book is also out there, but it's shorter and I haven't read it. Norton also published Charles Rosen's book Classical Style in 1999, which may be in response to this volume.

I must say, however, that on information alone, this book is very good and can be a great reference.

3 of 3 people found the following review helpful.
A very comprehensive source
By Matthew C. Steel
Downs Classical Music is intended for upper-level undergrads and graduate students in music. I use it in my 500-level class because the historical account is very comprehensive, including substantial references to sources that would otherwise have to be assigned as outside reading. The book begins with a detailed account of the late Baroque and Pre-Classic era, information that students have often forgot from their introductory courses. The analyses of works are generally good. There are some drawbacks that need to be addressed. First, the accompanying Anthology contains a wide variety of works, but almost no complete works. Students are deprived of complete sonatas, symphonies, concerti and other longer works. Also there is no set of recordings to accompany the Anthology. Many works in the Anthology require real digging to find a recording. Finally, the last chapter gathers all of Beethoven's works together as a kind of afterthought. Right now I can't find a more informative text for my students.

6 of 13 people found the following review helpful.
An excellent source
By A Customer
This book is excellent for both students and teachers who are studying the Classic Era of music history. This source goes along well with other Norton pulications such as the Romantic Era and the Norton Publication that spans from Ancient music to the Baroque. I have all of these sources and it has enriched my knowledge in the area of music history a great deal!

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The post-contract relationship in IT outsourcing often determines the success or failure of an outsourcing venture. Using five longitudinal case studies, the authors address the various factors involved in outsourcing relationships and present pointers to assist managers and practitioners achieve the 'relationship advantage' in outsourcing.

• Sales Rank: #10588085 in Books
• Published on: 2002-02-07
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.20" w x 6.10" l, 1.48 pounds
• Binding: Hardcover
• 416 pages

About the Author

Thomas Kern is Assistant Professor for Information Management at the Rotterdam School of Management, Erasmus University. He is also a Research Affiliate with the Oxford Institute of Information Management, Templeton College, University of Oxford, and the European Editor of the Journal of Information Technology. Leslie P. Willcocks is Arthur Andersen Professor of E-Business and Information Management at Warwick Business School. He is also Associate Fellow at Templeton College, University of Oxford; Visiting Professor in Information Systems at Erasmus University; Professorial Associate at the University of Melbourne; and Distinguished Visitor at the Australian Graduate School of Management. For the last twelve years, he has been Editor-in-Chief of the Journal of Information Technology.

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The Relationship Advantage: Information Technologies, Sourcing, and Management, by Thomas Kern, Leslie P. Willcocks PDF
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[I295.Ebook] Download PDF The Relationship Advantage: Information Technologies, Sourcing, and Management, by Thomas Kern, Leslie P. Willcocks Doc

[I295.Ebook] Download PDF The Relationship Advantage: Information Technologies, Sourcing, and Management, by Thomas Kern, Leslie P. Willcocks Doc